Too much madness, not enough method: Hamlet at the Barbican

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(Original post at The Boar)

One of the most widely anticipated productions of the year, the Barbican’s Hamlet has been inundated by frenzied coverage across the media, largely thanks to the hysteria surrounding its illustrious star, Benedict Cumberbatch. From the record-breaking ticket sales to its controversial decision (and subsequent U-turn) to place the play’s famous “to be or not to be” soliloquy during its opening scene, the plagued production has been contentious from its inception.

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Broadchurch: Season Two, Episode One

“I can’t do this alone.”

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Rarely do shows embed themselves in the national consciousness to quite the same level as Broadchurch managed in 2013. The murder of Danny Latimer (Oskar McNamara) was hailed the best whodunit of the year by critics and audiences alike, earning the show a second season and numerous awards, including the BAFTA for best drama series.

Understandably, the return of the surprise summer hit on Monday night was about as hyped as it was possible to be- the plot was so secret that even the main cast members have no idea how it ended. Even more surprising, then, is the fact that the show is thus far living up to expectations- for the most part.

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